Just about all
we want is to be
remembered
more than mere cedar
on a nameless prairie.
A mowing machine
works nearby
the smell of death
cuts a swath
through memory
sounds of conformity.
Just about all
we want is to be
remembered
more than mere cedar
on a nameless prairie.
A mowing machine
works nearby
the smell of death
cuts a swath
through memory
sounds of conformity.
just published in Mojave River Review (Winter 2014, p. 50)
see “That Happy Lie” and other poems from other fine poets at http://PoetryQuarterly.com
Even muddy water shines
sand glistens — a crystal
menagerie overlooked
in our desperate plight
to dazzle ourselves with wires
and bulbs piling kilowatt
upon kilowatt in the hyper
glow that dulls with the faint
hope of progress.
Hear brackish grass humming
in the deeper curves, a salty voice
whispering in shadows – the river
bends forever and I follow
the turns toward yesterday.
I am captive, wayfarer
subdued by wild, enduring
unobtrusive glory.
Like critters secluded
along your sandy shores
I am at home.
for Steve Pedersen
It’s true what they say of death, how it arrives when we are not ready for it – we are never ready for death – even autumn leaves hang on as long as they can and we’re lucky to get some good color out of the season, some beauty out of pain.
Isn’t that what art does – make beauty from pain? All loss is profound. Hell, when I can’t find even a favorite article or item, some longed-for object, I am beside myself. How much more, then, when a loved one passes? We are left holding the empty sack that once contained possibilities now spilled on the lawn outside heaven’s door.
I remember the death of my grandma. Fortunately I have many fond memories. She was the nurturer in my life, even from a distance – but I regret that my nephews, my niece, my son did not have the closeness I had with her. She moved five times in her long life. Her father disappeared, and without a mother, she became mom to her siblings. Then she married Elmer and lived a pioneer woman’s life on the farm for sixty some years – even as a widow for many years after grandpa passed. She loved living independently far from town on the section of land Elmer homesteaded.
Then the day came for her to move to town into a small two bedroom house – the living room full of a quilt being built, just like back on the farm. Then after quite a few good years, the time came for her to move to an assisted living, one-room apartment. Now her quilting was displaced in an adjoining, common room – but still she quilted. Her last move, of course, was to the nursing home or rest home (as curiously we call it), and of course no one returns from there – and this knowledge could not have escaped her. Her wide, open sky prairie section of better than 600 acres, now reduced to a bed and a chair with a few photos and quilt blocks hanging on the wall. This, the progression (or is it digression) of life.
I was fortunate. There was much beauty in her life. Much beauty in her pain. She was a poem. Even the last time I saw her, weak but determined to sit upright in her chair, falling in and out of sleep – in and out of conversation. She passed a few days later. There was beauty, and beauty remains in memory of her life, despite her last breaths choking for dear life while clutching faith. Death always hurts. It stings. It is always inconvenient – I have nothing else to say. What can be said? Except maybe this is why we write. Maybe this is why we have each other. Our voice – an echo of grandmas everywhere.
A walking stick is a good companion in moonlight. Indirect is real; full-on brightness is illusion that lasts but for a day. Keep the sun comfortably far away, so primal and so hot and demanding – but moonlight glows only for those who have patient eyes.
I would not say I absolutely need a companion – I am able to walk upright, but the comfort of earthy wood, rough bark yielding to my grip, melding with my hand – connects me to the ground beneath me, frees me to look up, about, inward while hardly breaking stride.
You walk slower with a walking stick. You have to find a pace – a rhythm the two of you share, timing that blends with the contour of land, a guide that prods the ground ahead of each step. “Follow me, let me share this walk with you” it says – and the feel that flows from earth through my boots upward in my body, through my trunk, branching out to my limbs to the very fibrous nature of my fingertips – why it’s almost like I am a tree – a brother on a journey together. We feel the same feelings. We don’t need to speak.
Another thing about walking sticks: often, perhaps usually, they are cast-off, disregarded, broken branches that the walker sees (out of all possible timber) and selects, and measures against his body. If the feel in the fingers is right, if the length is comfortable, if the circumference is rounded enough with a strong fiber to withstand the use, then you choose it. You choose a walking stick like you choose a lover. One of my favorite types of walking sticks is a willow branch cut down by a beaver. We find them along creeks and rivers and call them “beaver sticks.” It’s astonishing that most willow/beaver sticks are very close to the same size, weight and circumference. They make wonderful companions.
Some prefer cedar or hemlock or oak. Some like to shave them with a sharp knife, whittling until comfort arrives – and I admit that can be satisfying. But I prefer a found stick – one prepared and presented by nature, left across my path by fate – one I find, like a found poem – there is rhythm, there is harmony, there is art lying all about us cast off, broken – only needing the moon to show us.
Woody Guthrie Festival July 13!
Poets read at 1pm at the Methodist
Church in Okemah
I will be feature reader for Dallas Area Poets
at Half-Price Books, Friday, June 7, 7pm
5803 E. Northwest Highway, Dallas, TX
“Surrounded by progress, I feel a nagging sense of our species’ regression.”
from Red Sorghum, by Mo Yan